Mongolia | Zaisan Tolgoi | Galleria | Soyolma

The Galleria of my Hovel in Zaisan Tolgoi. The center hanging is by artist Anunaran. (click on photos for enlargements)

Painting in my Galleria by artist Soyolma

Detail of painting in my Galleria by artist Soyolma

Painting of fierce female deity Narkhajid in my Galleria by artist Soyolma

Detail of painting of Narkhajid in my Galleria by artist Soyolma.

Detail of painting of Narkhajid in my Galleria by artist Soyolma.

Painting of Narkhajid in my Galleria by artist Soyolma.

Detail of painting of Narkhajid in my Galleria by artist Soyolma. In her left hand is a cup made from a human skull. The cup is filled with blood. This is one lady you do not want to mess with.

Tara-like painting by Soyolma, apparently a composite of White Tara and Green Tara. Like Green Tara she is bathykolpian, but is holding a lotus in her right hand like White Tara. White Tara also by tradition has a eye in the palm of her outstretched left hand. Here she is holding instead an enigmatic figure of a young woman. Also, White Tara is usually portrayed sitting in a full lotus position; Green Tara usually has one leg hanging down. The figure in this painting seems to be sitting in a rather loose half lotus position halfway between the postures of traditional White and Green Taras. Thus she would seem to be indicative of both. 

Painting by Soyolma

Painting by Soyolma. As can be seen in the two paintings above, small figures dwelling in trees are a staple of Soyolma’s work. 

Detail of painting by Soyolma

Painting by Soyolma

Soyolma also does traditional thangkas. This is her White Tara, also in my Galleria.

Soyolma

Mongolia | Zaisan Tolgoi | Galleria | Soyolma

The Galleria of my Hovel in Zaisan Tolgoi. The center hanging is by artist Anunaran. (click on photos for enlargements)

Painting in my Galleria by artist Soyolma

Detail of painting in my Galleria by artist Soyolma

Painting of fierce female deity Narkhajid in my Galleria by artist Soyolma

Detail of painting of Narkhajid in my Galleria by artist Soyolma.

Detail of painting of Narkhajid in my Galleria by artist Soyolma.

Painting of Narkhajid in my Galleria by artist Soyolma.

Detail of painting of Narkhajid in my Galleria by artist Soyolma. In her left hand is a cup made from a human skull. The cup is filled with blood. This is one lady you do not want to mess with.

Tara-like painting by Soyolma, apparently a composite of White Tara and Green Tara. Like Green Tara she is bathykolpian, but is holding a lotus in her right hand like White Tara. White Tara also by tradition has a eye in the palm of her outstretched left hand. Here she is holding instead an enigmatic figure of a young woman. Also, White Tara is usually portrayed sitting in a full lotus position; Green Tara usually has one leg hanging down. The figure in this painting seems to be sitting in a rather loose half lotus position halfway between the postures of traditional White and Green Taras. Thus she would seem to be indicative of both. 

Painting by Soyolma

Painting by Soyolma. As can be seen in the two paintings above, small figures dwelling in trees are a staple of Soyolma’s work. 

Detail of painting by Soyolma

Painting by Soyolma

Soyolma also does traditional thangkas. This is her White Tara, also in my Galleria.

Soyolma

Tibet | Takten Damcho Ling | Taranatha

I posted previously on The Great Stupa of Jonang and Dölpopa. A couple of miles down the side valley in which the stupa is located, fronting on the main valley of the Tsangpo River, is the monastery of Takten Damcho Ling, founded by the famous historian and Kalachakra practitioner Taranatha, the previous incarnation of Zanabazar, the First Bogd Gegeen of Mongolia. 

The lower section of the Takten Damcho Ling complex, with the Tsangpo River in the distance

Another view of the lower part of the complex. 

Taranatha (1575–1634) was, at least within the Jonang tradition, thought be an incarnation of Kunga Drölchok, who like Dölpopa had been born in what is now Nepal. Also like Dôlpopa,  Kunga Drölchok was first a follower of the Sakya sect. He eventually received the Jonang transmission of the Kalachakra Tantra and other Jonang teachings. Later he was asked to head the Jonang sect. After he died, Taranatha become leader of the Jonangpa. In the words of Cyrus Stearns, author of The Buddha from Dölpo: A Study of the Life and Thought of the Tibetan Master Dölpopa Sherab Gyaltsen:

In the history of the Jonang tradition, Taranatha is second in importance to Dölpopa himself. He is responsible for the short-lived Jonang renaissance in Tsang and Central Tibet during the late sixteenth and the early seventeenth centuries, and the widespread revitalization of the shentong theory in particular. 

He was one of the last great translators of Sanskrit tantric texts into Tibetan and was an incredibly prolific writer himself. His History of Buddhism in India and The Origin of Tara Tantra are still in print today. 

Takten Damcho Ling was established by Taranatha in 1615 with funds provided by the Tsang ruler Desi Puntsok Nyamgyal (the monastery is also known as Puntsok Ling). When it was finally completed in 1628 it was the largest Jonang monastery in Tibet, boasting of a large college, sixteen temples, and a printing press. Some 10,000 monks were said to live in the monastery and the surrounding area. According to monks there today many of the temples were destroyed during the Cultural Revolution. Currently eight of the temples are in use. The monastery also has a small guesthouse where I stayed when I visited. There are no other tourist facilities in the area.

Lower part of Takten Damcho Ling looking up toward the upper ruins

Ruins of upper part of Takten Damcho Ling

Upper part of Takten Damcho Ling

Upper part of Takten Damcho Ling

Tibet | Takten Damcho Ling | Taranatha

I posted previously on The Great Stupa of Jonang and Dölpopa. A couple of miles down the side valley in which the stupa is located, fronting on the main valley of the Tsangpo River, is the monastery of Takten Damcho Ling, founded by the famous historian and Kalachakra practitioner Taranatha, the previous incarnation of Zanabazar, the First Bogd Gegeen of Mongolia. 

The lower section of the Takten Damcho Ling complex, with the Tsangpo River in the distance

Another view of the lower part of the complex. 

Taranatha (1575–1634) was, at least within the Jonang tradition, thought be an incarnation of Kunga Drölchok, who like Dölpopa had been born in what is now Nepal. Also like Dôlpopa,  Kunga Drölchok was first a follower of the Sakya sect. He eventually received the Jonang transmission of the Kalachakra Tantra and other Jonang teachings. Later he was asked to head the Jonang sect. After he died, Taranatha become leader of the Jonangpa. In the words of Cyrus Stearns, author of The Buddha from Dölpo: A Study of the Life and Thought of the Tibetan Master Dölpopa Sherab Gyaltsen:

In the history of the Jonang tradition, Taranatha is second in importance to Dölpopa himself. He is responsible for the short-lived Jonang renaissance in Tsang and Central Tibet during the late sixteenth and the early seventeenth centuries, and the widespread revitalization of the shentong theory in particular. 

He was one of the last great translators of Sanskrit tantric texts into Tibetan and was an incredibly prolific writer himself. His History of Buddhism in India and The Origin of Tara Tantra are still in print today. 

Takten Damcho Ling was established by Taranatha in 1615 with funds provided by the Tsang ruler Desi Puntsok Nyamgyal (the monastery is also known as Puntsok Ling). When it was finally completed in 1628 it was the largest Jonang monastery in Tibet, boasting of a large college, sixteen temples, and a printing press. Some 10,000 monks were said to live in the monastery and the surrounding area. According to monks there today many of the temples were destroyed during the Cultural Revolution. Currently eight of the temples are in use. The monastery also has a small guesthouse where I stayed when I visited. There are no other tourist facilities in the area.

Lower part of Takten Damcho Ling looking up toward the upper ruins

Ruins of upper part of Takten Damcho Ling

Upper part of Takten Damcho Ling

Upper part of Takten Damcho Ling

Italy | Venice | Palazzo Mocenigo

Wandered by the Museum of Palazzo Mocenigo, just behind the Church of San Stae on the Grand Canal. The museum also hosts the Study Centre of the History of Textiles, Costumes and Perfume. The museum and study center is housed in the former palazzo of the Mocenigos, one of the most prominent families in Venice for a period of several hundred years. Seven Mocenigos became doges: Tommaso (1414–23), Pietro (1474–76), Giovanni (1478–85), Alvise I (1570–77, Alvise II (1700-1709), Alvise III (1722-32), and Alvise IV (1763). There were two branches of family, one located here at San Stae and another further on down the Grand Canal at San Samuele. A member of the San Samuele branch, Giovanni Mocenigo, was notorious for denouncing irrepressibly hard-core pantheist and unapologetic Hermetic occultist Giordano Bruno to the Catholic Inquisition, which resulted in Bruno being burned at the stake in Paris on Ash Wednesday, February 17th, 1600.

Church of San Stae

Entrance to Palazzo Mocenigo

Costume Exhibit (click on photos for enlargements)

Costume Exhibit

Costume Exhibit

Costume Exhibit

Costume Exhibit

Book of perfume recipes plus raw ingredients for making Perfume. I was of course in Seventh Heaven here. 

Turkey | Mesopotamia | Mardin

Wandered out to Mardin, in southeast Turkey, 673 miles east-southeast of Istanbul, on the very border between Anatolia and Mesopotamia. The Syrian border is about 14 miles to the south, but there are few visible signs of the war in Syria in this part of Turkey. Mardin is famously located on the side of a 3700-foot high hill overlooking the great plain of Mesopotamia. The southern edge of the town is at about 3000 feet, but at the Syrian border the elevation has already dropped to 1600 feet, almost 2000 feet lower than the town. 

 The hillside city of Mardin (click on photos for enlargements).

 The great plain of Mesopotamia viewed from Mardin—home of Suberians, Hurrians, Elamites, Babylonians, Hittites, Assyrians, Romans, and Byzantines—and that’s just up the fourteenth century!—and beloved by current day Neo-Mesopotamians.

 The town of Mardin

 Most of the lanes running up and down the town are staircases. 

 The narrow streets of Mardin. 

The 170-foot high minaret of the Great Mosque (Ulu Camii), built by order of Qutb ad-din Ilghazi in the 12th century. As you probably know, Qutb ad-din Ilghazi was the ruler of the Artuqid Turks, who in the 12th century established an emirate more-or-less independent of the Saljuq Sultanate of Rum. The mosque originally had two minarets, but one was reportedly destroyed by Amir Timur (Tamurlane). 

Courtyard of the Great Mosque

Mardin is the jumping-off point for the region known as Tur Abdin, “Mountain of the Servants of God” or “Mountains of the Hermits”. More on Tur Abdin to follow . . .